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Brett and Dodo, and then Polly. The Doctor's investigations are aided by a young sailor named Ben who befriended Polly and Dodo at a night club, and it is revealed that WOTAN is creating massive War Machines using an army of human slaves, and the plan is to take over the world by force.
The War Machines has a lot going for it, starting with being written by Ian Stuart Black in his redemption of his work following the drab Savages. The setting of contemporary London puts the production back on the streets so the Doctor and company can be seen walking about various locations in the city, as well as making use of the new Post Office Tower as a plot device and the most modern (at the time) location available (this would be like shooting in the CN Tower when it first opened, or the Shard building in 2013's The Bells of St John). Visually the War Machines themselves are impressive as well. Um. Well the War Machine anyways, singular, as we only see one at a time and it's obvious the machine just has the number on the front changed. Size doesn't make up for practicality once one gets a closer look; it has these big club-like arms used for smashing things but it doesn't have much of a reach to it so to get clubbed down you'd have probably been run over first. It also has weapons which fire smoke very much like the Daleks did in their theatrical films, but its aim is dreadful.
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Companions come and go over the series and we should all be used to it by now. With Steven having already made his departure in somewhat unlikely circumstances it was just a matter of time until Dodo was also gone, with her character having had little to no development in her five story run (yeah that's it just five televised stories). The expanded universe of the series, though, lends a bit more credibility to her departure as it did with Steven's; whereas Big Finish and the two novel publishers focussed on Steven's sense of outrage over not being able to help people, the background information on Dodo - scant as it is because Jackie Lane has not been in any of it yet - suggests that she was not at all happy to travel in the TARDIS and took the first opportunity to get out that she could. She freely admits throughout her time that she has had to over-write herself to be a more acceptable person in her aunt's social circles ever since her parents died, and as evidenced in The Man in the Velvet Mask once she is away from the Doctor she lets it all drop and becomes a deeply troubled young woman craving affection and belonging. After her mind is briefly taken over by WOTAN it's no wonder she's had enough and decides not to carry on. There's complaining that she doesn't get a departure scene, just a hurried message passed on by Polly, but really that's nothing new at all when it comes to interpersonal relations. How many times have people complained about people they meet just vanishing and never coming back into their lives? Usually this is after a date or two, but the reasoning is the same; they just want out and they just go.
And as the TARDIS leaves London at the finale with Ben and Polly having come aboard via a spare key the Doctor dropped, a couple walking down the street witness the police box dematerializing and exchange bemused glances before carrying on. According to some things I have read (all on the internet so it's all true of course) that couple was supposed to be a cameo by William Russell and Jacqueline Hill as Ian and Barbara, supposedly pushing a baby pram. That would have been just too awesome for words.
NEXT EPISODE: THE SMUGGLERS
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